“People know that the system is old, but I don’t think they realize just how old it is… in our system, it’s not just the architecture that’s 100 years old. It’s a lot of the basic technology, as well. The infrastructure is old.”
From the MTA in New York City, this is CBTC: Communications-Based Train Control, an astounding behind-the-scenes video about the technologies running the NYC subway system. Get a gander at West 4th Street station’s electromechanical relays, a pre-1930s technology that’s no longer supported by anyone but the MTA themselves. Plus, learn about their multi-decade plan to modernize the traffic control system, and see the Corona Subway Maintenance Shop, temporary home of the new CBTC-equipped subway cars.
As Service Delivery Division VP & Chief Officer Wynton Habersham explains, Communications-Based Train Control provides constant, centralized data about a train’s location, direction of travel, and speed, a leap forward from the safe but less precise fixed block signaling of the current system. The MTA invested seven years into converting the L train (14th Street – Canarsie Local) to CBTC, and is currently working on the 7 line (the Flushing local and express).
In this animated short, Ruby the pig seeks affirmation in the city around her after witnessing the accidental death of a stranger… and finds it in surprising places. With deft humour and finely rendered detail, When the Day Breaks illuminates the links that connect our urban lives, while evoking the promise and fragility of a new day. Winner of over 40 prizes from around the world, the film also features singer Martha Wainwright.
Directed by Amanda Forbis & Wendy Tilby - 1999
Brilliant. This moving manuscript depicts a single musical sequence played front to back and then back to front. Give the video a little time to unfold.
Lava tubes are a common feature of Oregon’s geology. They form after a volcanic eruption, when flowing lava cools and hardens near the surface while hotter lava continues to flow down below, carving a path as it goes. Occasionally, one of these tunnels will even break through to the surface, as in the case of Lost Lake.
Western Oregon’s rainy months—beginning in the fall—yield such a massive amount of precipitation that the basin fills in at a faster rate than the tube can drain it, and the lake reappears. It freezes over in the winter months, followed by a spring thaw that leads into summer when dry weather results in a (sometimes muddy) meadow. Then the cycle begins again.
Jude McHugh, a spokeswoman for the Willamette National Forest, says it’s hard to predict when the annual drain will occur. While the video makes it seem like a single, continuous flow akin to water in a bathtub, it’s actually a much more gradual process with ebbs and flows that vary from year to year.
He has an almost shamanistic reverence for nature; rocks, trees, rivers, and oceans all seem to be alive and aware. And he populates his world with shape-shifting creatures like the ravenous masked blob No-Face in Spirited Away; the Great Forest Spirit in Princess Mononoke, which looks like it was yanked straight out of Japanese mythology; and perhaps his most delightful creation, the Cat Bus from My Neighbor Totoro, complete with headlight eyes, a Cheshire grin and a warm, womb-like interior. It was this whimsical creation that reportedly impressed The Emperor himself – Akira Kurosawa.
It’s no wonder why Japanese netizens went crazy for “Celles et Ceux des Cimes et Cieux.” Germain’s short seems sprung from the same world as Miyazaki. The giant bugs look like something out of Nausicaa of the Valley of the Wind. The ambiguously European architecture looks like something from Kiki’s Delivery Service and those purple amorphous worms look like something from Spirited Away. Heck, Miyazaki himself even seems to be in Germain's short – that bearded old guy at the end of the movie is a spitting image of the famed animator.
Germain credits other influences aside from Miyazaki: Syd Mead, the concept artist who created those flying cars in Blade Runner and the city of the future in the upcoming Tomorrowland, and particularly the boundlessly imaginative French illustrator Moebius. Their influence might not be as obvious as Miyazaki's, however.
In any case, I am seriously looking forward to seeing a feature length version of “Celles et Ceux des Cimes et Cieux.”
Many a writer has said they write to save their lives. And many a writer has died by suicide. In few cases has the connection been so direct as in that of the poet Anne Sexton. Encouraged in 1957 by her therapist to write poetry to stave off her suicidal ideation, she eventually joined a group of mid-century “confessional” poets based in Boston—including Robert Lowell and Sylvia Plath—whose personal pathos, family pain, and severe bouts of depression provided much of the material for their work. Despite Sexton’s tremendous career success at what began, more-or-less, as a hobby, she became overwhelmed by her illness and committed suicide in 1974.
There are those who wish to debate whether so-called “confessional poets” were truly tormented individuals or navel-gazing narcissists. This seems fair enough given the willing self-exposure of poets like Plath, Lowell, and Sexton, but it kind of misses the point; their losses and transgressions were as real, or not, as anyone’s, but we remember them, or should, for their writing. Instead I find it interesting to see their public selves as performances, whatever the autobiographical connections in the work. A former fashion model, Anne Sexton was particularly adept at self-presentation, and as her fame as a writer increased—she won the Pulitzer Prize in 1966 and a succession of grants and awards throughout the sixties—her poetry became less focused on the strictly personal, more on the cultural (she has become well-known, for example, for a sardonic, feminist perspective in such poems as “Snow White and the Seven Dwarfs”). A good deal of her work was pure invention, despite the illusion of intimacy.
Nonetheless, the short, 1966 film "Anne Sexton at Home" (top, with Spanish subtitles, continued below) lets us engage in some voyeurism. It begins with Sexton’s irritation, as she’s interrupted by the dog. Then the film cuts away, the scene has changed, and she frankly acknowledges the poet’s voice as a “persona” (from the Greek for mask); her poems are “monsters,” into which she has “projected herself.” When we cut back again to the first scene, Sexton confidently reads her “Menstruation at Forty.” And we cut away again, and Sexton, her familiar cigarette never far away, riffs on “family & poetry” as her husband Alfred tries to avoid the camera. We see the poet with her daughter, their interactions playful (and also a little disturbing). Throughout it all Sexton performs, seemingly pleased and enjoying the camera’s attention.
This is my favorite Anne Sexton poem.Rowing
by Anne Sexton
A story, a story!
(Let it go. Let it come.)
I was stamped out like a Plymouth fender
into this world.
First came the crib
with its glacial bars.
Then dolls
and the devotion of their plastic mouths.
Then there was school,
the little straight rows of chairs,
blotting my name over and over,
but undersea all the time,
a stranger whose elbows wouldn't work.
Then there was life
with its cruel houses
and people who seldom touched--
though touch is all--
but I grew,
like a pig in a trenchcoat I grew,
and then there were many strange apparitions,
the nagging rain, the sun turning into poison
and all of that, saws working through my heart,
but I grew, I grew,
and God was there like an island I had not rowed to,
still ignorant of Him, my arms, and my legs worked,
These are pygmy sloths and they’re only found in one place in the world: a Caribbean island called Escudo de Veraguas. Academy research fellow Bryson Voirin introduces this critically endangered species, and explains how he’s studying them in their natural habitat, despite their elusive nature. From CalAcademy: Science Today – Pygmy Sloths.
Geographer turned Software Engineer, looking to shape the invisible systems that guide our world. Professionally interested in mapping, data visualization, values-based programming, and STEAM evangelism. Personally interested in crochet, knitting, textiles, and archery.
